Linguistic worldbuilding can be fairly simple—like making up and incorporating a few slang words or insults based on whatever your fictional culture finds profane—or it can be elaborate, like inventing an entire new language and writing poetry in it (hi, J.R.R. Tolkien!), or anywhere in between. We’ve already discussed an example of a technique around the midpoint of the spectrum in Cherryh’s Hunter of Worlds, so now I’d like to explore something on the more elaborate end: Belter creole in The Expanse .
By CD Covington @exaggerated